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The Scarring Party

Filed under Interviews/Five Questions by hotshotrobot

The Scarring PartyAsk anyone in Milwaukee what band has completely blown up locally in the past year, and the near-consensus answer will be The Scarring Party. Brew City’s entry into the recent resurgence of old-tyme megaphone crooner/junk/jug/sea chanty revival bands (and if you don’t believe there’s a resurgence, check out Bellingham’s Dandelion Junk Queens or fellow Milwaukeeans Wooden Robot), The Scarring Party mix an early 20th-century sound with lyrics about zombies and death, melding together a sound that’s equal parts creepy and fun as hell. Accordionist/guitarist/vocalist Daniel Bullock was kind enough to answer our five questions with an assist from the rest of the Party:

1. When historians listen to your most recent CD 1000 years from now,
what will they say?
“Their first record was better,” this despite it being our first record.

2. If you could play a show with any band/musician living or dead, who
would you pick and why?
Fats Waller. Great players don’t always make great songwriters, but Fats was incredibly clever and had a lightning fast right hand. It feels cliché to pick a dead artist, but we listen to as much 70-80 year old music as we do new music.

3. What is the strangest band-related dream (one of) you have had?
We all share the same dream of making it medium. Not big, just medium.  Maybe medium/well.

4. What do your fans look like?
They’re all impeccably dressed and between the ages of 14 and 70. Many come out to our shows dressed in their sharpest evening attire, and then we shamelessly try to push our t-shirts on them. We’re always admiring bowlers, vests, jackets and dresses, because we seldom find the time to shop.

5. What bullshit do you run into at most every show that makes you
think “man, this bullshit again?”
I think they’re called soundchecks. Our record time is an hour and fifteen minutes. Most house engineers seem to despise acoustic bands, but more often than not, our vocal mic becomes the root of all sound problems. Doing a line test on a mic should never take longer than reciting all of the lyrics to “C.R.E.A.M.” That should be a written rule.

Bonus Question: What the hell is the deal with “Lost” this season?

Mike Carey (upright bass):I’m going to go out on a limb here and admit, I haven’t hated the third season though I haven’t loved it either. The first six episodes probably had to be way over the top in order to keep people interested until the main season began, as such *spoiler warning* they ended up killing Mr. Eko, possibly the coolest character on the show*end spoiler.*  I like to believe that they’ll find their footing in Febuary and return to being the great show it once was.

Probably one of my biggest problems with this season has been that characters seem to consistently do things that weren’t in character for them, for example, the way Jack has acted all season. What’s up with that? What’s with Sawyer completely having his wings clipped.  You’d think he’d work out some new con to play on the Others.

And what was the deal with the listening station at the end of season 2? Are they saving that for some grand Deus Ex Machina?

4 Comments »

Comment by joiezabel — December 1, 2006 @ 10:50 am

i have been wanting to check out this band ever since you started waxing eloquent about them, dj. especially if they have an upright bass. you know if they are playing chicago any time soon?

Comment by hotshotrobot — December 1, 2006 @ 10:57 am

They only have two shows listed right now on their MySpace, but one of them is tonight in DeKalb. How snowed under are you right now? Hop in a car or find a ride or whatever and go!

Comment by joiezabel — December 1, 2006 @ 11:06 am

um, i’m not going to dekalb. but thanks.

Comment by Sepiachord — January 7, 2007 @ 11:13 pm

Good Job Mr Robot!

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